Author: Jibananda Das.
Category: Poem.
Jibanananda had a place with the gathering of artists who attempted to shake off rabindranath tagore's lovely impact. Enlivened by western innovation and the scholarly standpoint of the Bengali working class, this gathering expounded on the substances of the urban present and of the forlorn self even while they drew upon the provincial conventions of Bengal. Despite the fact that Jibanananda's initial ballads uncover a few impacts of Kazi Nazrul Islam, Satyendranath Dutta and Mohitlal Majumder, he shook off these impacts to wind up a towering figure in Bangla verse. Jibanananda shared Rabindranath's profound feeling for nature, persuasively depicting the excellence of country Bengal in Rupasi Bangla and procuring the moniker of Rupasi Banglar Kavi (Poet of Beautiful Bengal). Dissimilar to Rabindranath, notwithstanding, he depicted upset mankind and in addition the sadness, disappointment, and forlornness of advanced urban life in his ballads. Contemplation is additionally an imperative normal for his beautiful virtuoso. His sonnets blend a sympathy toward the present and a feeling of history. A hefty portion of his lyrics seem like composition, and enormously impacted resulting artists.
Jibanananda Das has been known as a writer of nature. His Dhusar Pandulipi speaks to the novel articulation of his innovative personality in which his beautiful creative energy has illustrated the earth around him giving nature a chance to accept a stature much greater and more alive. It is through his own particular observation and imagination that he could leave every one of the impacts of his time. Out of sight of his ballads there is a sort of separation and isolation that recounts an obscure environ far from this sky and this world in which the writer weaves dream. He is the maker of a universe of imagination in Bangla verse where one can enter yet can't receive in return. At the center of his verse there falsehoods an immaculate agony, life rots and changes, everything finishing in death.
Jibanananda's sonnets of provincial Bengal assumed an essential part in the political and social point of view of Bangladesh. His sonnets motivated a pride in Bengali nationhood, particularly in the 1960s and amid the war of freedom in 1971.
A hefty portion of Jibanananda Das compositions have been distributed after death. A portion of the all the more outstanding books are: Jibanananda Daser Shreshtha Kavita (1954), Jibananander Kabyasombhar (1985), Prokashito Aprokashito Kavita Samagra (1993), Jibanananda Samagra (1985-1998), Jibanananda Samagra Songjojan (1999); accumulation: Aloprithivi (1981), Hey Prem Tomarey Bhebe (1998). Kavitar Kotha (1955), a gathering of his papers on verse composing, is a profitable book. Another of his important books is Samalochana Samagra (1983 and 1986). A self-portraying article Keno Likhi was distributed in 1944.
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